Fascinating investigation of how our perception of time organizes the world and enables us to understand ourselves.

This physicist’s ideas of time will blow your mind

https://www.ft.com/content/ce6ef7b8-429a-11e8-93cf-67ac3a6482fd

There’s branding and the “metaphysics of consumer desire”, and there’s the psychology of marketing.

http://www.apg.org.uk/guesteditor-richardshotton

A general theme of these weekly posts is the future: its shape and definitions, its predilections and possible scenarios, and how to build adaptable foundations to prepare for outcomes and contingencies.

We cannot know the future but we do know that its velocity and complexity will be unambiguous.

https://www.rand.org/blog/articles/2018/05/can-humans-survive-a-faster-future.html

Sometimes one must take refuge in art.

http://www.openculture.com/2018/04/kind-of-blue-how-miles-davis-changed-jazz.html

http://www.openculture.com/2018/04/watch-the-trailer-for-a-stunning-new-70-millimeter-print-of-stanley-kubricks-2001-a-space-odyssey.html

“The past is never dead. It’s not even past.”

In our dismal present it takes an effort to absorb Faulkner’s insight that the past lingers in the present both in memory and in daily life, for better or worse.

https://www.bostonglobe.com/news/world/2018/04/20/wwii-bomb-defused-berlin-after-large-evacuation/RfrAYAHIC76S6jRU7rVYMI/story.html

https://www.theatlantic.com/photo/2014/04/world-war-i-in-photos-a-century-later/507341/

https://www.buzzfeed.com/matthewtucker/spinetingling-pictures-of-war-ghosts-from-the-past?utm_term=.hi3M7LxlK#.lv6MPYXvx

Mark Zuckerberg survived his Congressional appearances last week with barely a scratch.

Not surprisingly, the questioning revealed a rudimentary understanding of what Facebook is, the logic of its ad-supported business model, and the ramifications of Facebook’s implicit targeting, data-gathering/practices and identity algorithm matrix.

Facebook is Facebook, after all.

https://www.nytimes.com/interactive/2018/04/11/technology/facebook-sells-ads-life-details.html

The Economist’s 1843 Magazine is always interesting.

This article suggests that modern British architecture, specifically Norman Foster’s work, has largely created our perception of what the future looks like: curved curtain glass walls, innovative engineering, and integrated minimal structures.

https://www.1843magazine.com/design/how-british-architects-conquered-the-world

Starbucks conceived the strategic concept of “The Third Place” in its early corporate development to describe its brand proposition. In this formulation Starbucks would assert itself into the fabric of daily life not simply as a food and beverage retailer but as a destination where people could satisfy their needs as well as pursue their interests and passions in a comfortable public environment (with free wifi).

It was an updated version of the coffeehouse model that established a third place (after home and workplace) where retail transactions and human experience, connection and interaction could thrive and become the brand’s identity.

https://shift.newco.co/the-third-place-and-the-need-state-of-convenience-98f132b67199

A traumatic week for technology. Facebook is a cracked mirror, driverless cars can kill, and technology equities can crash hard like every other market sector.

The growing backlash against Silicon Valley is a gathering realization that our devices and applications are not simply utopian gateways to unlimited information, utility and convenience, but they’re also potentially addictive objects enabling individual pathologies, privacy intrusions, and social dysfunction.

They are rewiring our brains and reconfiguring our behavior.

https://qz.com/email/quartz-obsession/1235589/

https://www.newyorker.com/magazine/2018/04/02/cambridge-analytica-and-a-moral-reckoning-in-silicon-valley

https://www.linkedin.com/pulse/12-things-everyone-should-understand-tech-anil-dash/

How do we visually represent being human in an essential image?

Wikipedia’s attempt:

https://www.wired.com/story/how-wikipedia-portrayed-humanity-in-a-single-photo/